Photography lighting tip: When “idiot” lighting works….

Photography lighting tips from the trenches

Some of the best photography lighting is also some of the most basic lighting.

Two lights, one on either side, both with the same, or near same output. Wash the subject with light.
Kinda flat, kinda boring….

We used to call this idiot lighting. Maybe we still do, as offensive as that sounds.
The truth is, there’s a time and place for it. And I use it often enough.

The key is to know when and where. For me, I use it when I need properly exposed images and I have very little time, and the lighting and scene available is tricky. A wedding is a great example. Or, in a small location shooting families at a house.

Likewise, when I’m shooting a large family, I don’t want to fuss, just get the job done, done right, I will use this lighting.

To rely on this lighting and only this lighting is very limiting however. I suppose this is where and when “idiot” applies. Being able to create portraits using a main and good use of shadows is key to being diverse and creative.

Here’s an example I will be showing in an upcoming  Lighting Mastermind
(LIGHTING MASTERMIND REPLAYS ARE HERE FOR MEMBERS)….from a  fall in-home session:

Two lights, small softboxes each  a Nikon SB800 set to manual, same output. Also set to optical slave, a flash on camera with a weak output, bounced, to fire these flashes.

And some fun shots of the kids…same lighting all throughout this session:

I will also use this lighting outdoors, during a wedding, especially for the formal portraits with the family.

These shots are there to document the family, and I often have little time.

Same exact lighting as above. We’re in open shade, but there was not enough area to light everyone evenly so I set up my two softboxes.
Sony A7Rii 85MM Batis lens at f4 ISO 100. Weak fill flash on camera to fire the two softboxes.

You can see the two main lights showing up in the specular catch lights.

Knowing when to use this lighting for your photography and best results is key. When I am on location I always bring enough, more than enough gear, to make sure if I need to set up this lighting I can do it. I need to stress the importance of not relying on this lighting exclusively for your photography. You risk creating images that are stale and predictable.

To be fair, there are some photo industries and photography markets where this lighting will work all the time, say for example, sporting tournament and the like or similar higher volume demands.

Yours in lighting,
Rob

“If you want to be a profitable and successful photographer, then study profitable and successful photographers.”